- Mariah Abshire
Fiction as Told By a Poet
This year’s transition of genres was especially hard. Last year, I hardly noticed. Moving from fiction into poetry was a prize at the end of the road. Junior year’s second semester opened the door for my voice. A voice, that in the first semester, I didn’t even know was there. And this year, I felt the hinges break off. Of course, beginning with the immersion of poetry gave me a taste I wasn’t ready to let go come January. I was scared that all of the progress I made in poetry would fall excruciatingly short in comparison to fiction.
I am unbelievably happy that I was wrong.
All that I’ve learned in since January has truly surprised me. And it hasn’t all been in the classroom either. Before this year, ideas for stories never came to mind like poems did. Whenever I go out now, I find a character in unintentional eavesdropping, a setting at a stop light, and conflict everywhere I turn. The pages in my journal now hold something other than line breaks.
Fiction, dare I say it, is beginning to feel natural.
The way I see it, poetry is a well leading to an underground reservoir. Each line plunges you farther and farther to the source, the intention, the purpose of the piece. Fiction, on the other hand, is an in-ground pool. Its depths and shallows are chosen very specifically. There’s room to swim around—even a patio to socialize and sunbathe. Fiction allows you to take your time. But in any sense, lazily. This room promotes emotional investment that poetry’s brevity sometimes prohibits.
Fiction is a second home that always reminds me of my first. The childhood house that felt like a fortress to get lost inside. Fiction is not wanting to find my way out.
-Mariah Abshire, Editor-in-Chief